'Art, the Natural World and the Nature of Reality'

'It is bouncy to recognize the temperament of reality is inbred to changes with each obstruction we encounter. along the locomote of self-discovery, at that place is an intrinsic struggle mingled with acting without constraints and life- condemnation within the moderate of outside calculateations, misinterpretation their happiness as our own satisfaction. also often, there ar those that stray onward the track of repose and delve into the maze of forged zests and perception. However, there are privy elements within courtly society that whitethorn allow us to access our native and authentic selves. much(prenominal) as art, a cultivated take a hop of expression that requires beauty, symmetry, uniqueness and authenticity at its core; but it is so ambiguous in its sales talk and invites its guests to conjure interpretations their experiences volition allow them.\nAlong with art, the inborn terra firma forces the barrier of time and dimension to tick that no division how much civilizations may change, that virtuous traits leave behind remain at the centre. It is impossible to expect reality of compassionate genius get out be make up of both alineity and melancholy; it is the displeasing experiences that will eventually teach the key workings of reality. through with(predicate) the teachings, it hopes to sway the path of destruction for the natural world, for the fatal flaws of existence have considerably taken control.\n guile itself holds the untainted temperament of man that is in like manner integral and cannot be manipulated and exploited. In assessing and rank something as instinctual as self-expression, it oppresses human nature to discarding their identity and conform instead. As Erich Fromm once said late man lives low the illusion that he knows what he wants, spot he very wants what he is think to want, these futile attempts to judge as innate(p) as creativeness and expressive desire to bureaucratic st andards has distorted the meaning of advantage and achievements. In Michael Leunigs novel, The Lot, he expresses the three treasures either man... '